Issue No. 90 / June 2013 "How we aim to work"
Table of contents
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- 6 Preface
- 32 Postscript on the Societies of Comfort
- 48 Starting from the Picture / Seat of Power - A Picture of Being a Woman Artist
- 60 Why Diderot? / A Project Outline
- 70 Taking Part in the Other / Politics and Structural Ambivalence
- 88 Subject Put to the Test
- 108 Disco, Drift, Text, Choir / On Elizabeth Price's Videos
- 118 Research Objectives / Or: the Art of Obstruction
- 142 A Minor Ninth that Nobody Wants / On the Henry Flynt Exhibitions "Activities 1959-" in Düsseldorf and Karlsruhe
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Short Cuts
- 158 Still One of Us? / Isabelle Graw asks Julia Gelshorn, Sebastian Egenhofer, Fiona McGovern, and Chris Reitz about the current reception of Martin Kippenberger
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Bildstrecke
- 180 Broken Windows 2.0
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Rotation
- 188 Das Feste und das Flüssige / Simon Baier über "After Art" von David Joselit
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Liebe Arbeit Kino
- 194 Mehrdeutigkeit ohne Mehrdeutigkeit / Manfred Hermes über "Spring Breakers" von Harmony Korine
- 199 Falling into Flatness / Lukas Foerster über die 59. Internationalen Kurzfilmtage Oberhausen
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KLANG KÖRPER
- 202 Closer Distances / Christodoulos Panayiotou on "Disabled Theater" by Jérome Bel
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Short Waves
- 206 Marina Vishmidt on Rosa Barba at Turner Contemporary, Margate / Philipp Ekardt on Linder at the Musée d'Art Moderne de la Ville de Paris / Martin Saar über Franz Gertsch in Burgdorf / Adrienne Rooney on John Finneran at 47 Canal, New York / Alex Kitnick on Derek Boshier at Thomas Solomon Gallery, Los Angeles / Vanessa Joan Müller über Nina Pohl bei Sprüth Magers Berlin / David Reisman on Thomas Bayrle at The Artist's Institute
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Reviews
- 228 Complicity and Contestation / André Rottmann on Andrea Fraser at the Museum Ludwig, Cologne
- 234 Das kann man so oder so oder so sehen / Stefan Deines über Lutz Bacher im Portikus, Frankfurt/M.
- 238 Litfass Vertigo / Oliver Tepel über Gunter Reski im Kunstverein für die Rheinlande und Westfalen, Düsseldorf
- 242 Unmaking Normality / Petra Lange-Berndt on "Glam! The Performance of Style" at Tate Liverpool
- 246 Photosensitive / Michael Darling on James Welling at the Cincinnati Art Museum
- 250 Gender Tourism / Kerstin Stakemeier über Emily Wardills Film "The Third Person" bei Carlier Gebauer, Berlin
- 254 The Sentient Memory of Latin America / Pedro de Llano on "Losing the human form" at Museo Nacional Centro de Arte Reina Sofía, Madrid
- 258 You Deserve the Experience / Daniela Stöppel über Kirsten Pieroth im Nürnberger Kunstverein
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Obituary
- 262 Viktoria Schmidt-Linsenhoff - Der Verantwortliche Blick
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Edition